Summer!

Wow! I can't believe this class is over and we are almost done for the summer. I'm really happy with how everything turned out with my book. I think it might be neat to turn it into a series with different paper samples in each book. I plan to take photos of my book in the next week or so and may post the images here for one final post. Have a great summer everyone!

Question 3: Book Cover

I'm having a hard time designing the cover of my book. Because it will be made of rough handmade paper, I'll print the title and back description on a label. I'd also like the cover to include actual samples of some papers that are inside the book. Right now, the label and samples aren't working well together, probably because they are both squares that are similar sizes. Any ideas on what I can do? Should I abandon this idea?

Question 2: Glossary

Would a glossary be helpful for this book? Some things I would include are: hollander beater, mold, deckle, and watermark.

Question 1: Chapter Titles

As you can see in 3 spreads, there is a slight variation in the design of each chapter's title. My Story is underlined, Materials has a letter that's filled in, and Colour has a letter that's orange. I'm running out of ideas on what can be done with the other chapter's such as Marbling and Watermarks. Any suggestions? I want the differences to be fairly subtle so your attention isn't drawn to them, but obvious enough that you notice the differences.

Layouts

Reminder: the pages with 3/4 lines of type (the 3rd and 5th spreads) are strips of paper so the reader can feel the handmade paper behind the strip as they are reading the description. The pink sheet you see in the third spread would be the actual paper behind the description.

More About The Design

Size: 9" by 7.5". It is large enough so the reader can get a good feel for the paper samples, and small enough to carry around.

Binding: Japanese stab binding. I chose this technique for 3 reasons:
1. I think this will add to the book's handmade feel.
2. A lot of handmade paper comes from Japan, so it makes sense.
3. Because I'm including paper samples, I need to bind single sheets.

Text font: Minion Pro 9pt with 14.5pt leading gives the book a fairly light colour.

Secondary fonts: Gill Sans 8pt will be used for captions.

Chapter titles: I'll be using a handwritten font called Angelina. There will be a slight variation in each of the titles. For example, in the chapter My Story, the word My will be underlined.

Descriptions of paper samples: The strip of paper will be about 2 inches wide and the text will be in Gill Sans.

Design

The design of my book will centre around the paper samples, with the information and colour corresponding to the samples in its chapter. I'd like a simple, clean look to offset the variety of textures and colours of the paper samples. Thus, the text will be in one column, with a generous outside margin for images and captions. Minion Pro will be used as the text font, with increased leading to create a fairly light colour throughout the book. The captions will be in Gill Sans and in a colour that relates to the chapter.

A unique aspect of the book will be the descriptions of the paper samples, which will be printed on small strips of paper. This is so the reader can read the information about the paper while seeing and feeling the sample at the same time.

The cover of the book will be made entirely of handmade paper. Small squares of different papers will be glued to the cover to represent my collection and the crafty, hands-on approach of the subject matter and the design of the book. Japanese stab binding will add to this handmade feel.